Logopedia Now Rounded fonts from Bülent Yüksel

Logopedia Now Rounded fonts from Bülent Yüksel - (orwjo)

Designed by Bülent Yüksel, Logopedia Now Rounded is a display sans font family. This typeface has six styles and was published by Bülent Yüksel.

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What makes “Logopedia Now Rounded” unique is that it has a strong body, upper and lower case letters are the same size and work in perfect harmony.

All letters in the character have “alternatives” in various numbers. This feature provides you variety in your designs. It is possible to take your designs to the next level by using “Logopedia Now Rounded”.

“Logopedia Now Rounded” is ideal for especially logo design, advertising and packaging, branding and creative industries, banners and billboards and signage as well as web and screen design.

“Logopedia Now Rounded” provides advanced typographical support for Latin-based languages. An extended character set, supporting Central, Western and Eastern European languages, rounds up the family.

The designation “Logopedia Now Rounded 500 Regular” forms the central point. “Logopedia Now Rounded” comes 3 weights and italics total 6 types. The family contains a set of 543 glyphs.

Classes and Features, Stilistic Style, Fractions and Old Style Numerator just one touch easy In all graphic programs.

“Logopedia Now Rounded” is the perfect font for web use.

Be sure to check out the other siblings of “Logopedia”.

Logopedia Now
Logopedia Now Rounded
Logopedia Next
Logopedia Next Rounded

You can enjoy using it.

Logopedia Now Rounded

[blsgv] Download Space Time fonts from Lauren Ashpole

Designed by Lauren Ashpole , Space Time is a hand display and hand drawn font family. This typeface has five styles and was published by Lauren Ashpole . Download Now Server 1 Download Now Server 3 Download Now Server 2 What can I say? I like fonts with stars. Space Time is a hand drawn font with a lot of variety. I started designing the regular version with the characters slightly touching but it wasn’t quite what I had in my head. I’d imagined tightly spaced letters with overlapping shadows and the only way to get that effect was to create a second version with stackable layers. That means this download includes regular, base, outline, shadow, and stars files. Plus, the base and outline can be used for stacking or work fine as standalone fonts. This font is all caps but the lowercase letters feature alternative styles. Space Time

Mantequilla JNL fonts from Jeff Levine Fonts - (bzedu)

Designed by Jeff Levine, Mantequilla JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 2 Download Now Server 3 Some unusual hand lettering was found on the cover of the 1924 edition of a Spanish language novel by Joaquin Belda entitled “La Hora del Abandono” (“The Time of Abandonment”). The title was created as all lower case characters in a semi-serif style reflecting the dawn of the Art Deco movement. A new set of capital letters was created for this digital revival, along with the numbers, punctuation and other necessary glyphs. Mantequilla JNL is available in both regular and oblique versions. For those unfamiliar with the Spanish language, Mantequilla (pronounced mon-tay-key-yuh) means butter. Mantequilla JNL Mantequilla JNL

Golden Decades fonts from Dharma Type - (gelhu)

Designed by Ryoichi Tsunekawa, Golden Decades is a sans serif font family. This typeface has sixteen styles and was published by Dharma Type . Download Now Server 1 Download Now Server 2 Download Now Server 3 Back to the basics. In the last ten years, type design has been confronting chaotic scene. The font market is flooded with a mixture of wheat and chaff and typography becomes increasingly complex. But one golden straight path exists. The path began from the industrial revolution, passing through Swiss style, now we walk along the path as a matter of course. It is sans-serif. The decades from the Swiss style, namely “less is more age” to the contemporary basic style “Less, but better age”, we call it golden decades. In those decades, type design met modernism. Go back to a theory in the golden decades, we redesigned new geometric, minimal sans-serif. Less is more and better. We added cool and calm spices to the modernism in the golden decades. As a result, letterform has a con...

Pollyanna Lam

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