[mbzzl] Download Faber Serif Pro fonts from ingoFonts

Designed by Ingo Zimmerman, Faber Serif Pro is a serif font family. This typeface has ten styles and was published by ingoFonts.

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Faber Serif is the Roman typeface which was born out of the sans serif design Faber Sans. The proportions are nearly identical to those of Faber Sans.

In comparison, Faber Serif has heavy — although very short — serifs. The character of contrasting strokes is not very pronounced; therefore, this font is closely related to the first Roman typefaces from the 15th century. The Kursiv (Italic) also has very reserved serifs, which are quite appealing to modern reading habits.

Several OpenType-Features are included in Faber Sans, which can be turned on and off as required:
• Stylistic Alternates: replaces the letters a, g, l by the alternate glyph, also in ligatures.
• Ligatures: replaces the letter combinations fi, fl, ff, ffi, ffl, ft, tt, Th with the corresponding ligature.
• Discretionary Ligatures: replaces ch, ck, mm with the appropriate ligature and SS with capital-ß.
• Tabular Figures: replaces proportional standard figures with tabular non-proportional figures.
• Medieval Figures: replaces standard figures with medieval figures, which have ascenders and descenders like the lowercase letters.
• Fractions: replaces the glyph combinations 1/2, 1/3, 1/4 etc. with the according fractions.
• Slashed Zero: replaces the normal »open« 0 with a slashed zero.
• Small Caps: replaces uppercase letters with small capitals at the optical height of x.
• Historical Forms: replaces s with „long s“.
• Stylistic Set 1: replaces the numbers 1 through 20 with circled numbers.
• Stylistic Set 2: replaces the standard figures 1 through 20 with negative circled numbers.
• Stylistic Set 3: replaces the »two-story« a with the »round« alternate.
• Stylistic Set 4: replaces the »straight« l with the alternate form »with a hook«.
• Stylistic Set 5: replaces the »two-story« g with the »round« alternate 

Faber Serif perfectly matches with Faber Sans!

Faber Serif Pro

[blsgv] Download Space Time fonts from Lauren Ashpole

Designed by Lauren Ashpole , Space Time is a hand display and hand drawn font family. This typeface has five styles and was published by Lauren Ashpole . Download Now Server 1 Download Now Server 3 Download Now Server 2 What can I say? I like fonts with stars. Space Time is a hand drawn font with a lot of variety. I started designing the regular version with the characters slightly touching but it wasn’t quite what I had in my head. I’d imagined tightly spaced letters with overlapping shadows and the only way to get that effect was to create a second version with stackable layers. That means this download includes regular, base, outline, shadow, and stars files. Plus, the base and outline can be used for stacking or work fine as standalone fonts. This font is all caps but the lowercase letters feature alternative styles. Space Time

Mantequilla JNL fonts from Jeff Levine Fonts - (bzedu)

Designed by Jeff Levine, Mantequilla JNL is an art deco font family. This typeface has two styles and was published by Jeff Levine Fonts . Download Now Server 1 Download Now Server 2 Download Now Server 3 Some unusual hand lettering was found on the cover of the 1924 edition of a Spanish language novel by Joaquin Belda entitled “La Hora del Abandono” (“The Time of Abandonment”). The title was created as all lower case characters in a semi-serif style reflecting the dawn of the Art Deco movement. A new set of capital letters was created for this digital revival, along with the numbers, punctuation and other necessary glyphs. Mantequilla JNL is available in both regular and oblique versions. For those unfamiliar with the Spanish language, Mantequilla (pronounced mon-tay-key-yuh) means butter. Mantequilla JNL Mantequilla JNL

Golden Decades fonts from Dharma Type - (gelhu)

Designed by Ryoichi Tsunekawa, Golden Decades is a sans serif font family. This typeface has sixteen styles and was published by Dharma Type . Download Now Server 1 Download Now Server 2 Download Now Server 3 Back to the basics. In the last ten years, type design has been confronting chaotic scene. The font market is flooded with a mixture of wheat and chaff and typography becomes increasingly complex. But one golden straight path exists. The path began from the industrial revolution, passing through Swiss style, now we walk along the path as a matter of course. It is sans-serif. The decades from the Swiss style, namely “less is more age” to the contemporary basic style “Less, but better age”, we call it golden decades. In those decades, type design met modernism. Go back to a theory in the golden decades, we redesigned new geometric, minimal sans-serif. Less is more and better. We added cool and calm spices to the modernism in the golden decades. As a result, letterform has a con...

Pollyanna Lam

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